Current Exhibitions

02.	Marie Watt (Seneca, born 1968), Stadium: Jim Thorpe and Relations, 2008, Reclaimed wool blankets,

Marie Watt (Seneca, born 1968), Stadium: Jim Thorpe and Relations, 2008, Reclaimed wool blankets, Pendleton stadium blanket, thread, shedded antlers, 73 x 63 inches, collection of the Hallie Ford Museum of Art, Willamette University, Salem, Oregon, Acquired with the assistance of the Ford Family Foundation and the Maribeth Collins Art Acquisition Fund, 2012.055. Photo credit: Dale Peterson.

Current Exhibition

Handmade Revolution: Craft in the Pacific Northwest

June 13, 2026 – March 13, 2027

Maribeth Collins Lobby and Melvin Henderson-Rubio Gallery

From June 13, 2026 through March 13, 2027, the Hallie Ford Museum of Art at Willamette University in Salem, Oregon presents Handmade Revolution: Craft in the Pacific Northwest. The exhibition features over 60 artworks created in ceramics, textiles, glass, wood, and metal made by artists such as Rudy Autio, Frank Boyden, Dale Chihuly, Betty Feves, Heidi Preuss Grew, Linda Hutchins, Clay Lohman, George Rodriguez, Sara Siestreem, Ken Shores, Peter Voulkos, Patti Warashina, Marie Watt, Nancy Worden, and many more.

Alfred (Bud) Lane III (Siletz, born 1957), Acorn Mush Basket, 1999

Alfred (Bud) Lane III (Siletz, born 1957), Acorn Mush Basket, 1999, Hazel and spruce tree bark, and beargrass, 3.5” x 7” x 7”, Collection of the Hallie Ford Museum of Art, The George and Colleen Hoyt Acquisition Fund, HOY99.001

Current Exhibition

What Do We Hold? A Community Conversation

July 11 – November 21, 2026

James Nafziger Gallery

In recognition of the 250th anniversary of the Declaration of Independence, What Do We Hold? A Community Conversation was created in collaboration with The Conversation Project and the Office of Civic Engagement at Willamette University. The project brought together students, faculty, and Salem community members from a range of backgrounds to explore themes in the Declaration of Independence and how to talk about our histories, present challenges, and hopes for the future.


Permanent Exhibitions

Lucinda Parker: [italics]Pinkish Lenticular[/italics]
Permanent Exhibition

Northwest Perspectives: Selections from the Permanent Collection

On permanent view

Carl Hall Gallery

Visitors can explore new ideas of landscape, narrative, identity, form and process through a variety of paintings, sculptures and mixed media that highlight both visual and conceptual relationships between historic and contemporary art.

The gallery provides the museum with an opportunity to share many previously unviewed works that capture the rich and varied expressions that have taken place during the past century, which has been marked by rapid changes in the art world, the Northwest and its landscape.

[italics]Tillamook Wallet Basket[/italics]
Permanent Exhibition

Ancestral Dialogues: Conversations in Native American Art

On permanent view

The Confederated Tribes of the Grand Ronde Gallery

Featuring works from the museum’s permanent collection of American Indian art, this exhibition is organized around the concept of dialogue. The focus is on native art history as a dynamic, rich legacy from which contemporary arts grow today. Art works are placed in conversation, juxtaposed so that the work of many generations is in visual dialogue across time, telling stories of creation, transformation, and renewal. Historic baskets, bags, regalia, and lithics are displayed side by side with contemporary art works by artists such as Rick Bartow, James Lavadour, Bud Lane, Lillian Pitt, Pat Courtney Gold, and Joe Feddersen among many others.

[italics]Relief of a Servant[/italics]
Permanent Exhibition

Across Continents, Through Time

On permanent view

Mark and Janeth Sponenburgh Gallery

This exhibition features selections from the museum’s European, Asian, and American Collections, which span 4,500 years and encompass four continents: Europe, Asia, Africa and North America. On view are paintings, ceramics, prints, sculptures, textiles, architectural fragments, archaeological artifacts, Orthodox icons and decorative arts that will deepen visitors’ appreciation for artworks of aesthetic quality and expressive significance from cultural traditions worldwide.

Many of the works of art displayed in this gallery were generously donated to Willamette University in 1990 by Mark and Janeth Sponenburgh, and formed the basis for the creation of the Hallie Ford Museum of Art.

HFMA Print Study Center
Permanent Exhibition

Print Study Center

On permanent view

Print Study Center

The museum’s collections of works on paper – prints, drawings, paintings on paper, and photographs – are stored, studied and displayed in the Print Study Center. The collection includes many contemporary American works, particularly by artists of the Pacific Northwest. Other highlights include etchings by the 17th-century Dutch artist Anthonie Waterloo, and 19th-century American expatriate artist James Abbott McNeil Whistler, as well as an early pictorial photograph by Edward Steichen. Temporary exhibitions in the Print Study Center are designed to highlight works in the permanent collection, and complement and enhance the special exhibitions on view.


Back to Top